List of References:
1. Dexter, E. 2005. Introduction. In Vitamin D - New Perspectives in Drawing. London: Phaidon. p.6.
2. Merleau-Ponty, M. 1962. Phenomenology of Perception. London and NY: Routledge Classics.
3. Cocteau, J. 1949. Lettres aux Américains – Reines de la France.
4. Olivares, J. 2013. Acartamento. In Apartamento, Issue 12. p10.
5. Sontag, S. 1966. Against Interpretation and Other Essays. New York: Picador.
6. Cage, J. 1961. Silence: Lectures and Writings, Middletown: Wesleyan University Press.
7. Merleau-Ponty, M. 1962. Phenomenology of Perception. London and NY: Routledge Classics.
8. Johnson, M.K. 2001. Phsychology of False Memories. In International Encyclopedia of Social & Behavioral Sciences. Oxford: Pergamon Press. pp. 5254-5259.
9. Ballendat, T., Marquardt N., Greenberg, S. 2010. Proxemic Interaction: Designing for a Proximity and Orientation-Aware Environment. University of Calgary.
10. Parlá, J. 2008. In Klanten, R., Ehmann, S. Hellige, H., Alonzo, P. (Eds.) 2008. The Upset. Young Contemporary Art. Berlin: Die Gestalten Verlag GmbH & Co., pp. 218-223.
11. Georgiev, K. 2013. Elena Geroska Knocks on Strangers’ Doors and Asks to Photograph Their Houses.
12. Bell, A. 2013. Andrey Tarkovsky, Films, Stills, Polaroids & Writings. Munich: Schirmer/Mosel, p.30
13. Bell, A. 2013. Far, I. 1968. Giorgio de Chirico. NY: Harry N. Abrams Inc, p.6-7.
14. Sontag, S. 1966. Against Interpretation and Other Essays. NY: Picador.
15. Miller, G. A. 1956. The Magical Number Seven, Plus or Minus Two: Some Limits on our Capacity for Processing Information. Harvard University.
16. Malevich, K. 1918. Cubism Destorys. In Khardzhiev, N. 2002. A Legacy Regained: Nikolai Khardzhiev and the Russian Avant-Garde. St. Petersburg: Palace Editions, pp. 230-231.
17. Lissitzki, E. In Khardzhiev, N. 2002. A Legacy Regained: Nikolai Khardzhiev and the Russian Avant-Garde. St. Petersburg: Palace Editions, pp.244-246.
18. Baldacci, P. 1997. De Chirico. The Metaphysical Period.Boston, MA: Bulfinch Press, p.119.
19. Leniashin, V. (Ed.). 1988. Soviet ART 1920s—1930s. Russian Museum, Leningrad. NY: Harry N. Abrams Inc.
20. Staley, C. 2012. Penn State Laureate Chris Staley: Drawing as Thinking.
21. Dexter, E. 2005. Introduction. In Vitamin D - New Perspectives in Drawing. London: Phaidon, p. 6.
22. van Bergeijk, H., Hauptmann, D. 1998. Notations of Herman Hertzberger. Rotterdam: NAi Publishers, p.33.
23. van Bergeijk, H., Hauptmann, D. 1998. Notations of Herman Hertzberger. Rotterdam: NAi Publishers, p.33.
24. Leborg, C. 2006. Visual Grammar. NY: Princeton Architectural Press, p. 6.
25. Giordano, D., McLaughlin, F., Romita, J. 1982. The Illustrated Comic Art Workshop. New York, NY: Garco Systems, pp. 35-37.
26. Simpson, I. 1992. Drawing Seeing and Observation. London: A & C Black, pp.123-125.
27. Negroponte, N. 1995. Being Digital. London: Hodder & Stoughton, p.4.
BACK